by Teri Ong
            To “celebrate†Halloween, our local university produced a stage version of the truly horrible “Rocky Horror Picture Show,†the supposed “cult classic†which features all sorts of mayhem and debauchery on the part of the fools on stage and the fools in the audience. We were then treated to full page photographs of “costumes that would make Frankenstein blush†in the local paper, just “in case we missed†the toast throwing and dressing in drag that are part of the “traditionâ€.
           Those of us who stayed home only missed a travesty of immorality in the guise of an “art form.â€
           Instead, to borrow a phrase from P. G. Wodehouse, I spent a few evenings with “an improving book.â€Â That book was Lilith by George MacDonald. The book is full of monsters, giants, living skeletons, ravening leopardesses, a house of the dead, and even a blood-sucking vampiress. In his introduction to the 1954 edition, W. H. Auden wrote that “Lilith is equal if not superior to the best of Poe.â€Â It is an equal in terms of creepiness, but is decidedly superior in the author’s purpose for that creepiness.
           Unlike Poe, MacDonald had a deep spiritual good in mind for his horrible story. The main character, Mr. Vane, is all caught up in his book learning; indeed, he spends all of his time and affection on the library bequeathed to him by his father. In it, he discovers one mysterious book and a mysterious bird-like “librarian†that lead him to look in a magical mirror in the attic. Mr. Vane, whose very name is reminiscent of King Solomon’s words, “Vanity, Vanity, all is vanity,†enters a strange realm of spiritual self-revelation through the mirror.
           He makes several trips in and out of the strange, mystical land learning different lessons that prepare him for a good death; lessons we all need to learn.
           MacDonald’s story, as much of his other writing, is allusive rather than allegorical. Readers have a sense of the deeper meanings and experience emotions connected with the deeper meanings as well as the story elements themselves. In Mr. Vane, we experience the need for that spiritual introspection that can take us from the shallowness of our everyday life into the realm of things that will count eternally. When he falls down on the sand in a desert place and hears the springs of life-giving water flowing underneath him, we have a sense that there is something more satisfying than the “dust†of earthly life. When we meet the skeletal couple that were once of the nobility, we understand that when we are stripped of the garb of civility to the bare essentials, what we need most is grace to love and be loved. The humble childlike “lovers†and the dull, brutish giants puffed up with self teach us the virtue of other-centeredness.
           The most extensive lesson is Mr. Vane’s ongoing battle with the vampire Lilith. Lilith is the embodiment of self-will. She is an ancient creature who unknowingly does the bidding of a Satanic “Shadowâ€. Her image of herself is much different from the way others see her. She uses her allure to deceive her victims into giving up their life blood, slowly draining them of life and vitality, but keeping them barely alive so she can feast on them another day.
           Through the efforts of those beings who are watching out for Mr. Vane’s eternal good, Vane comes to realize that Lilith is not his friend. With the help of the humble little “lovers†he mounts an attack on Lilith’s stronghold, eventually capturing her and taking her to the house of his friends who try to persuade her to repent of her evil. One of the most poignant scenes comes when Mara (meaning “bitternessâ€) and the New Adam and the New Eve confront Lilith with her need to repent. MacDonald powerfully portrays the strength of self-will.
           I quote:
Â
           “We have long waited for thee, Lilith!†[Adam] said.
           She returned him no answer.
           “The mortal foe of my children!†murmured Eve, standing radiant in her beauty.
           “Your children are no longer in her danger,†said Mara, “she has turned from evil.â€
           “Trust her not hastily, Mara,†said her mother, “she has deceived a multitude.â€
           “But you will open to her the mirror of the Law of Liberty, mother, that she may go into it, and abide in it! She consents to open her hand and restore; will not the Great Father restore her to inheritance with His other children?â€
           “I do not know Him,†murmured Lilith, in a voice of fear and doubt.
           “Therefore it is that thou art miserable,†said Adam.
           “I will go back whence I came!†she cried, and turned, wringing her hands to depart.
           …â€Father, take her in thine arms, and carry her to the couch. There she will open her hand and die into life.â€
           “I will walk,†said the princess.
           …The princess knelt to Eve, clasped her knees and said,
           “Beautiful Eve, persuade your husband to kill me; to you he will listen. Indeed I would, but I cannot open my hand.â€
           “You cannot die without opening it. To kill you would not serve you,†answered Eve. But indeed he cannot! No one can kill you but the Shadow, and whom he kills never knows she is dead, but lives to do his will, and thinks she is doing her own.â€
           …Adam pointed to the vacant couch and said,
           “There, Lilith is the bed I have prepared for you.â€
           …The princess lay down, drew the sheet over her, stretched herself out straight, and lay still with open eyes.
           Adam turned to his daughter.  She drew near.
           “Lilith,†said Mara, “you will not sleep, if you lie there a thousand years, until you have opened your hand and yielded that which is not yours to give or to withhold.â€
           “I cannot…I am trying hard, but the fingers have grown together and into the palm.â€
           “I pray you put forth the strength of your will. For the love of life, draw together your forces and break its bonds.â€
           “I have struggled in vain. I can do no more. I am very weary, and sleep lies heavy upon my lids.†…the contorted hand trembled in agonized effort.
           “There was a sword once I saw in your husband’s hands…. Bring it, Adam,†pleaded Lilith, “and cut me off this hand that I may sleep.â€
Â
           The sword that divides joints and marrow does its work, and self-will dies. Mr. Vane, at that point wants to join the dead so that he could sleep until resurrection morning and wake with the blessed. He, however, finds out that he, himself, has not died to his own self-will. He has more lessons to learn back in the natural realms of earth until he is finally called back to the other side.
           Of this powerful story, Auden wrote that MacDonald had, “power to project his inner life into images, beings, landscapes which are valid for all.â€
           The real horror of the season is not found in commercially “haunted†houses or in creep shows or dress-up events: it is in how many of us are passing through life as the self-absorbed and self-deceived, clutching tightly that which we believe to be self-determination but which makes us the slave of evil.
           Christ said, “If your eye offends you, pluck it out. If your hand offends you, cut it off; …it is more profitable that one of your members should perish, and not that thy whole body should be cast into hell.â€Â (Matthew 5:29-30) When it comes to self-will, as MacDonald’s disciple C. S. Lewis said, it is necessary to “die before you die; after that, it’s too late.â€
Â
Notes________
MacDonald, George. Lilith. Grand Rapids: Wm. B. Eerdmans Publishing Co., 1981. First published in 1895. Quotations from chapter 40.
Â
Quotations about the Rocky Horror Picture Show, Greeley Tribune, Saturday, Nov. 3, 2007, pages 1,3.